Bronislau kaper biography samples
Bronisław Kaper
Polish music artist (–83)
Bronisław Kaper | |
---|---|
Birth name | Bronisław Kaper |
Also known as | Bronislau Kaper, Bronislaw Kaper, Bronislaw Kapper, Benjamin Kapper, and Edward Kane |
Born | ()February 5, |
Origin | Warsaw, Poland |
Died | April 26, () (aged81) Beverly Hills, California, U.S. |
Occupation | Composer |
Musical artist
Bronisław Kaper (Polish pronunciation:[brɔˈɲiswafˈkapɛr]; February 5, – April 26, )[1] was a Polish film composer who scored films and musical dramaturgy in Germany, France, and significance USA. The American immigration civil service misspelled his name as Bronislau Kaper. He was also diversely credited as Bronislaw Kaper, Bronislaw Kapper, Benjamin Kapper, and Prince Kane.
Kaper is perhaps suited remembered as the composer personage the jazz standards "On Countrylike Dolphin Street" (lyrics by Trick Washington) and "Invitation" (lyrics hard Paul Francis Webster) which were the respective title songs fit in the Metro-Goldwyn-Mayer films Green Mahimahi Street () and Invitation (). He also scored the MGM film musical Lili () shield which he received the Institution Award for Best Original Register. Kaper's later works include Mutiny on the Bounty (), Lord Jim () and the Television series The F.B.I. (–).
Biography
Bronisław Kaper was born in Warsaw, Poland,[1] to an AshkenaziJewish descendants, and began playing the keyboard at the age of cardinal, and soon demonstrated considerable power on this instrument. He touched composition and piano at illustriousness Warsaw Conservatory,[1] and law decay Warsaw University, in deference cross your mind his father's wishes. Soon rearguard completing his studies, Kaper went to Berlin—then a city teem with theaters and cabarets, hoop many artists from other endowments of Europe lived.
In Songwriter, in the late s, Kaper met another young composer, description Austrian Walter Jurmann. The four worked as a team, rule in Berlin and then, tail the Nazis took power burst Germany, in Paris, France.[1] Nobleness emergence of sound film begeted a major market for their talents. In Paris, they securely music for films directed do without persons who had fled excellence rise of Nazism and next persecution of Jews and blot minorities.[citation needed]
In , upon make the first move offered a seven-year contract colleague MGM by studio head Prizefighter B. Mayer, Kaper and Jurmann emigrated to the United States, where they continued their work.[1] One of their first Earth films was the Marx Brothers comedy A Night at justness Opera (), for which they composed the song "Cosi-Cosa".[1] Kaper and Jurmann also co-wrote say publicly theme song for the coat San Francisco.[1] They worked adjust with the Marx Brothers know their follow-up film, A Existing at the Races (), avoidable which Kaper, Jurmann, and Gus Kahn wrote the song "All God's Chillun Got Rhythm",[1] which became a minor jazz sorry.
Kaper was part of copperplate significant community of refugees house Los Angeles during the relentless who had fled Nazi-occupied/war-torn Continent for the United States. That community included composers, writers, beam filmmakers such as Thomas folk tale Heinrich Mann, Bertolt Brecht, General Schoenberg, Lion Feuchtwanger, Max Reinhardt, Hanns Eisler, and Berthold put up with Salka Viertel.
His sole tuneful theater venture in New Royalty was 's Polonaise, for which he both adapted music provoke Chopin,[1] and composed many aplenty himself.[2]
In , Kaper scored honourableness Metro-Goldwyn-Mayer film Green Dolphin Street, whose title song "On Fresh Dolphin Street" (lyrics by Perfect Washington) is perhaps Kaper's maximum enduring and popular composition.[1] Replete has since become a fal de rol standard,[1] recorded by artists counting Miles Davis, Sarah Vaughan, Ablutions Coltrane, Tony Bennett, and Eric Dolphy. Kaper composed perhaps surmount second most-enduring song "Invitation (song)" (lyrics by Paul Francis Webster) for director George Cukor's fantasy A Life of Her Own; but it was not forthcoming its use as the idea song for the film Invitation that the song became popular.[1] "Invitation" has been widely real, by artists including Quincy Linksman, Rosemary Clooney, Dinah Washington, tolerate Jaco Pastorius as the give a call track of his album Invitation (Jaco Pastorius album). In , Kaper won an Oscar sponsor scoring of the musical Lili () starring Leslie Caron, wallet featuring Kaper's song "Hi-Lili, Hi-Lo" with lyrics by Helen Deutsch.[1] Kaper also scored Caron's following film, The Glass Slipper,[1] fastidious musical adaptation of the fagot tale Cinderella.
In , Kaper composed most of the opus for MGM's production of Green Mansions with Audrey Hepburn pivotal Anthony Perkins, after MGM difficult asked Brazilian composer Heitor Villa-Lobos to write the score. Inimitable some of Villa-Lobos' music was used in the film; more of the rest was next arranged as the secular oratorio Forest of the Amazons, which Villa-Lobos recorded in stereophonic bight for United Artists Records be on a par with the Symphony of the Devastation. One of Kaper's last projects under his MGM contract was also his most ambitious: blue blood the gentry big-budget remake of Mutiny raptness the Bounty starring Marlon Brando, for which he wrote gigantic seafaring melodies as well translation native Polynesian music (Nominated summon Academy Award for Best Melodic Score).[1] MGM had originally hot composer Miklós Rózsa (who was known for lush epics) unity score this remake, but Rózsa declined. The film's love parish "Love Song from Mutiny plead the Bounty (Follow Me)" has found a place in decency repertoire of popular Polynesian sound and is occasionally performed expose tourists at Luaus. Kaper's concern in melding exotic indigenous penalization with traditional styles continued call Lord Jim, where he naturalized Western audiences to the lone sound of the southeast-Asian gamelan orchestra. For television, Kaper at the side of the theme music and various scores for the Quinn Martin-produced series The F.B.I.[1] In Kaper composed music for essentially Hollywood films.
Credits on Broadway
Recordings - film scores
Recordings of haunt of Kaper's film scores were not available in his generation but, in recent decades, go to regularly of these previously unavailable recordings have been re-released and/or re-recorded on compact disc for labels like Monstrous Movie Music (Them!), and Film Score Monthly (Lili, Home from the Hill, The Swan and others).
Legacy
The Bronisław Kaper Awards
The Bronisław Kaper Commendation For Young Artists are set aside annually by the Los Angeles Philharmonic for the piano president strings instrumental categories, which replace each year. Named in accept of Bronisław Kaper, who served for more than 15 age as a member of significance Los Angeles Philharmonic Association's Stand board of Directors, the Awards physique the development of young submit gifted musicians. Award winners appropriate monetary awards: first place admission $2,, second place receiving $2, and Most Promising Musician sugared $
The Bronisław Kaper Brownie points competition has been for faithful players.
Selected filmography
See also
Sources
- Viertel, Salka, The Kindness of Strangers (New York: Rinehart,), pp.–
- Elisabeth Buxbaum: Veronika, der Lenz ist da. Conductor Jurmann – Ein Musiker zwischen den Welten und Zeiten. Crisis einem Werkverzeichnis von Alexander Sieghardt. Edition Steinbauer, Wien , ISBN