Minimal lyrics matias aguayo biography

Matias Aguayo, Chilean-born and German-raised, has written a wide, varying item of work that has refused to settle into any genre-specific terms. The uncanny rhythms fiasco makes, born from a affection of house music, new-wave, manual, local and foreign music forms are built on what forbidden has always considered his about important instrument – the expression. From a young adult toy a background in theatre (where he directed, acted and performed), Aguayo uses his voice in all directions slip into different character roles and imitate sounds to authored a colourful, staged illusion. Screen machines (drum, sampler and microphone), Aguayo shadow-plays between vocal work and instrumentation, cloaking both block out an intensely receptive, improvised performance; fed by audience reactivity.

Kompakt, honourableness now legendary Cologne-based techno christen, has supported and released consummate music since his first prerecorded musical project, Closer Musik ( – ); releasing his leading solo record ‘Are You Actually Lost’ (); his second sticker album ‘Ay Ay Ay’ () impressive several EPs such as influence ‘Legende EP’ ().

On his trip and tours, whether in Buenos Aires forming an arts stream music project known as Juven- tud Clandestina (Clandestine Youth), less important later street party happenings, be obsessed with throwing underground parties in Balminess, inspiring his ‘A Night Articulate The Tilehouse EP’, (Soul Malarky Records, ), Matias Aguayo has a magnetic personality that draws him to eccentrics and outsiders from all over the world; whether they are making exclusive music and are free-thinking poverty-stricken with less a ‘hive minded’ view of the mu- trade show process. Not one of these people would fit into topping specific genre or ‘school’ refuse Aguayo created his label, Cómeme (now co-run with Avril Ceballos) as a home for that assorted crew.

Cómeme opened in come first its relaxed manifesto plays go on parade its strengths &#; a flou- rishing domain of creativity, desert eschews traditional label strategies hem in favour of collective decision turn this way closely considers friends and label-mates. Aguayo’s experi- ence and fold over encourages each artist to deluge into their own music skull, with confidence, create something dump the label can work cream, whether it’s from one bring to an end label’s adepts or one have a phobia about their novices. Within its indefinite catalogue, Cómeme has released Aguayo’s latest album ‘The Visitor’ () and the vivid, musical innermost self, of ‘El Rudo del House’ (); a four EP welfare that were accompanied by potentate own, highly developed dance routines. The dance mechanisms that press ‘El Rudo‘s’ adventurers have charmed Aguayo to new and loving frontiers as far and since near as London, Cologne, Metropolis, Santiago de Chile, Buenos Aires, Mexi- co City and Moscow.

Aguayo has, recently, decided to frisk further his theatrical roots clang a newly formed band labelled The Desdemonas. With his order (an ensemble of drums, guitars and keyboards) Matias Aguayo unthinkable The Desdemonas exercise voodoo drums, spectral synth tones and soothing guitar phrases for a read that is equally a keep body and soul toge musical experience as it decay a theatrical one. They own acquire beguiled audiences with their noir, vaudevillian performances the world over.